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IS NOTHING SACRED?!?I don't love he changed his name
IS NOTHING SACRED?!?I don't love he changed his name
Yeah, agree. Like I said: how big a sin that is is for you to decide. I don't care much about most of what has gone down, TBH; but I totally get why it has put off some.I'm kind of middle of the road on this one. If I thought NDSP were indeed clubbing seals, or had kids working in sweatshops, I almost certainly would have foregone purchase of a QC. (I'll admit I hesitated to order from Sweetwater for political reasons I'll leave be... and I'll admit I caved because they were the only game in town.) And for what it's worth, I think some of what @Mongillo19 describes are legitimately serious offenses.
Sorry your feet are on backwards or something.Counterpoint, I like to use expression pedals with my left foot, so all the devices with expressions on the right are backwards to me. I much prefer separate expressions.
Oh you bring up a good point though, I don't think there's line vs instrument output level switching in the QC. So when I run line into my MOTU interface, the levels are always low. I can raise the output level, but then it goes into the red. Doesn't sound bad but I feel like I shouldn't do that. And the line in on my MOTU doesn't have a level adjustment, so it's just stuck being low output. That's a really weird oversight.
It's an industry now. Factory farming has ruined naturalI don't love he changed his name
If only this thread wasn't an april fools joke and JTI did get a QC
Not exactly a twist ending LOL.That one little thing right there with the levels at the outputs is enough to kill any leftover interest I might have had, honestly.
Yeah, again I'm not holding my breath for either, but I feel like it would be easier for NDSP to close the gap with a bunch of new amp and effects blocks than it would be for FAS to redesign their hardware and OS to achieve parity in terms of UI/UX.
Send/returns I could manage per preset. I need to be able to drop this thing into an IEM/DI to FOH/stage monitor rig for multiple projects so not being able to send my XLRs at mic level and my 1/4” at line with a volume control would be more hassle than I’d be willing to deal with just to mess around with a new platform.Not exactly a twist ending LOL.
Pretty sure the absence of a line/instr level switch can be addressed through use of the gain knob, but Jarick can correct me if I'm wrong. Digital Igloo once recommended the exact same technique when I brought up the absence of independent switches for sends and returns on Helix.
I'm not sure what I wrote to suggest this wouldn't be possible, but if you're a touring professional, I wouldn't encourage you to fix what ain't broke (i.e. "mess with a new platform") one way or the other.Send/returns I could manage per preset. I need to be able to drop this thing into an IEM/DI to FOH/stage monitor rig for multiple projects so not being able to send my XLRs at mic level and my 1/4” at line with a volume control would be more hassle than I’d be willing to deal with just to mess around with a new platform.
Whatever this is, it has nothing to do with anyone being passionate about gear. Pretty much everyone on this board has already earned those stripes.
I love this place.
Though, at it's best, it'll kill an entire day before you've seen it coming...
You came so close to getting through that post with a steady hand....that no one programmed”
What the actual hell?the TC 2290 pedal only has the OG 2290 manual for it!
What the actual hell?
That’s just plain laziness. They must have wanted it out to market ASAP I’m guessing.Maybe they’ve put one out since, but Henning Pauly’s video on it was pretty fucking hilarious because he shit all over TC the entire time, despite being one of the guys TC consulted on the pedal before release.