fretworn
Rock Star
- Messages
- 4,158
Damn!!!!!
Nice
yeah thatās a PRS private stock eagle easily sitting there lol
Damn!!!!!
Nice
I have a tank? Don't have a pic with me though....
I had something similar to this back in the 60ās lolI have a tank? Don't have a pic with me though....
Sorry @Iron1 for the diversion!
Iāve got to add this tidbit though.
I was a 19Echo tanker for awhile and being 6ā4ā tall I had bumped my head a few times lol.
It can do a mile and a hair more if you have the correct twist rate to run the heavies. Custom/handloads are the best bet at those distances though.
It can do a mile and a hair more if you have the correct twist rate to run the heavies. Custom/handloads are the best bet at those distances though.
Love the Vortex optics and the SF can.
Schmidt & Bender are so ridiculously priced for the US market over the last 8-10 years that the juice is not worth the squeeze any longer. Vortex and Nightforce for me.
Iād never recorded a song before the Do Something challenge (omitting a few shitty 4 track demos as a late teen) so in that regard itās all new to me.
The one thing I will say thats really helped me though is finding a workflow, primarily in doing a ādemoā pass before actually tracking. On the first few attempts I was juggling everything and getting overwhelmed by trying to write a part, then track it āpristineā (much less double and triple track it) and then start doing mix tasks trying to make it perfect as I went. Then I would move to writing the next part, rinse repeat. But I ended up worrying about tracking while trying to write, and mixing while trying to track. And a lot of times I would end up bailing on a track that I had spent way too much time on doing shit that didnāt matter until I had a song I liked.
I saw a video from someone on YT talking about the value of doing a shitty demo first. So I started approaching it while writing to not worry about if Iām 100% in tune, in time, have the right tone, flub a note etc. Just doing a single track and building the entire song as a bad demo. This allowed me to bail on songs with less time put in to it by not trying to perfectly track and mix as I went, and I found if I did come up with something worth putting the time into, tracking takes half the time, because the entire framework of the song is already built on that shitty ādemoā. I can kind of go on autopilot tracking because Iām not trying to āwriteā the song or āmixā it.
Which I suppose is about 500 more words than necessary to say finding a workflow has probably been the best thing I figured out. Thatās been more helpful than any technical part of recording and mixing.
And that really helps because with kids, work, life etc. itās kinda hard to pump shit out on the weekly. lol
I was just gonna post a pic of my gun:
I was just gonna post a pic of my gun: